If the client is not going to cover transportation and lodging then you should factor those costs into what you would charge since those expenses will be coming out of your pocket. If the shoot is going to be a full day (6-8 hours or longer) or requires travel, then you should stick to your guns and fight for fair pay. Or I will ask the client what pay range they felt would work for them and then decide how I felt about the proposed rate and if the opportunity would be worth going lower than my standard rates. I've gotten gigs by stating what my rates were and then mentioning that I was willing to negotiate or compromise if my rates were outside of their budget. ![]() There is always room for negotiation, which tends to work in your favor better than being too strict about what you charge. What do you need to provide? (outfits, do your own hair and makeup, props)Īgain, the pay rate for each potential gig should be considered on a case-by-case basis. Are there any perks involved? (will they pay for transportation, lodging, meals)ĥ. How long is the shoot? (quick 1-2 hour shoot, a half day, full day or multiple day shoot)Ĥ. What type of gig is it? fashion, commercial, glamour, swimsuit, tradeshow? (swimsuit, glamour and artistic nude clients typically pay higher rates because of the nature of these types of shoots)ģ. What is the client's budget? (usually they will state what they are willing or able to pay-minimum or maximum amount-or will just ask you what you charge for a shoot that lasts "X" amount of hours)Ģ. Some questions you should ask yourself when trying to figure out what to charge a client:ġ. Of course not all clients that use freelance models will pay the going industry rate, so even if you have a lot of experience, don't expect to be making the same amount per gig that an agency represented model would.Īre there clients that don't mind paying the industry rates to freelance models that agency models would normally receive? Of course but more times than not you'll be working with clients that have much smaller budgets-hence their need to use freelancers instead of models from an agency. If you've got a ton of experience and the resume/portfolio to back it up, then clients will understand that using your services will come at a price. So be realistic about your skills and ability when thinking about making the move from strictly doing test shoots to adding in paid shoots. If a client is paying you anything, they will expect the bar to be very high and if you can't perform, it won't be a good start to your career. For example, if you are a new model that has been modeling for a few months and done a couple of test shoots but want to start charging, you better make sure that you can work your poses and deliver as if you're a pro. However, it is important to make sure you can walk the walk. There is no actual time limit or specified amount of years you need to be modeling before you can start charging. New and inexperienced models can expect to first undergo test shoots to build up their portfolio before charging for their services. ![]() The level of a model's experience is a huge determining factor when it comes to pay rates. It's going to happen so be prepared for it and do not take it personally. There may be times when you will be skipped over for charging too much or taken advantage of for charging too little. ![]() Not every client is going to pay what you want to charge. Ultimately the factors that should influence what you charge should be the amount of experience you have, the strength of the images in your portfolio and the client's budget/needs. I will say upfront that there are no established black and white rules when it comes to pay rates.Įach modeling job is different, each client is different and budgets vary. However, being a freelance model comes with many challenges-figuring out what you should charge is one of them. (This post is more targeted towards freelance models and not those with agency representation, although it may apply to those that have an agent but continue to find their own work.)Ī part of being a successful model is making money from the jobs that you book.
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