Kress G (2010) Multimodality: A social semiotic approach to contemporary communication. By changes in modes like colour and composition, the overall mood of design changed from ambiguous melancholy to a fairy tale fantasy. In the context of Valentine’s Day postage stamp design, I had to adapt my style – al- ready developed in the fine art context – to the commercial interests of the client. Stylistic inspiration from earlier works like Dutch vanitases of 1600’s and the natural history illustrations made by Ernst Haeckel at the turn of the 20th century. In this case, the style was developed by technical experiments, my personal affinity to historicism and melancholy and the Style can be regarded as an important semiotic resource (Nodelman 1990, 60 Siefkes & Arielli 2018, 169). The focus of the research is to study, how a fictive illustration makes meanings and moods through a multimodal interaction with the typography, colour, style, used media and materiality (See Van Leeuwen 2007 Kress 2010). My submission for exhibition makes part of my doctoral research, which is – for its part – a combination of artistic - /de- sign parts and research articles. As a consequence, I was commissioned to design the set of five Valentine’s Day postage stamps to Posti Group.Īs Steven Skaggs (2017, xiv) notes `The graphic design studio provides an ideal laboratory for semiotic concepts´. After the exhibition, I took part in a postage stamp contest arranged by Posti Group, Grafia – The Associ- ation of Visual Communication Designers in Finland – and Kuvittajat – The Finnish Illustration Association. The process started in 2016 as a fine art practice – an exhibition – containing prints and works combining glass, nature objects and drawings /digital collages. There was only a small decline (-0.9%) in posted letters.By my works submitted I want to show the process that led me to create the style of Valentine’s Day postage stamps of Finland 2018. The volume of newspapers and advertising sent by mail also increased, as did international mail. The company delivered 105 million parcels in the first six months of the year, compared to just over 90 million in the same period in 2020. Because of Covid-19 measures, consumers have increasingly placed orders online and had products delivered to their home by post. This result was largely thanks to a growth in parcel delivery spurred by a continuing boom in online shopping. The announcement came as Swiss Post saw profits for the first half of 2021 increase by CHF217 million ($237 million) over the previous year. The new Swiss stamp prices will still be among the lowest in Europe, when adjusted for purchasing power. He also explained that costs have risen significantly in the last 18 years: in addition to wage increases, there has been a growth in the number of households and therefore the number of private letterboxes in Switzerland to which a shrinking number of letters have to be delivered. The price of parcels will remain unchanged, as a gesture of support for businesses that have struggled because of closures and other restrictions introduced to fight the Covid-19 pandemic, the state-owned company said.ĬEO Roberto Cirillo said the price hikes would ensure the long-term financing of basic postal services. Priority mail (A-Mail) inside Switzerland will be 10 centimes more expensive to send while the price of standard letters (B-Mail) will go up by 5 centimes, Swiss Post announced on Thursday. Português (pt) Correios aumentam tarifa de selo pela primeira vez em 18 anos.
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